Stock of Art has painstakingly curated an art collection of Edvard Munch, presenting arts in JPG or TIF formats of the highest-resolution (Top HD in the entire web). Every piece within this collection has been meticulously gathered and compiled.

These aren’t just ordinary digital images; they are portals to the world of fine art. Each one is primed for printing in a super – high – definition format that defies the boundaries between the reproduced and the original. When printed, the hard copy emerge with a vivid clarity that is nothing short of astonishing. The colors are as rich and true as the day the artist first laid brush to canvas, the details as sharp as if one were examining the work up close in a prestigious gallery.

So lifelike are these prints that they seem to transcend the realm of mere reproduction. They stand as near – perfect facsimiles of the original artworks, ready to grace your walls as if they were the very masterpieces themselves. Hang them in your living room, study, or hallway, and let their beauty transform your space into a private gallery, a haven of aesthetic delight where the allure of great art is ever – present. (Please note, the below images that you are about to see ARE NOT in HD format, and are only for preview display, yet the resolutions of the files we sell are much much higher.)

PRICE : 9.9USD

(if you would like to purchase this collection, please the “buy now” button above to contact us)

Edvard Munch was a Norwegian painter of world renown, playing a pioneering role in modern expressionist painting. Here is a detailed account of him and his artworks:

1. Introduction to Edvard Munch and his collection

• Early Life: Munch was born on December 12, 1863, in Løten, Norway, and grew up in Oslo. His family was stricken by misfortunes. His mother died of tuberculosis in 1868, and his sister Sophie passed away from the same disease later. His father, a doctor and a devout Christian, suffered from mental illness and instilled in his children a deep fear of hell. These early experiences left a profound mark on Munch’s mind.
• Educational Background: In 1879, Munch enrolled in an engineering college, aiming to become an engineer, but frequent illnesses interrupted his studies. In 1880, he left the engineering college to pursue painting. In 1881, he was admitted to the Royal School of Art and Design in Oslo, where he studied under sculptor Julius Middelthun and naturalist painter Christian Krohg.
• Mid-Career: In 1885, Munch went to Paris and was influenced by French impressionism, post-impressionism, and Art Nouveau. In 1889, he created The Sick Child and its variant Spring in a traditional painting style and received a scholarship to study in France. In 1892, he was invited to participate in an exhibition held by the Berlin Artists’ Union, which sparked bitter controversy. In Berlin, he became part of an international circle and designed sets for some of Henrik Ibsen’s plays. By the turn of the century, he had completed his series of paintings The Frieze of Life.
• Late Life: In the autumn of 1908, Munch was hospitalized in Dr. Daniel Jacobsen’s clinic due to severe anxiety. The shock therapy he received in the hospital changed his personality. In 1909, he returned to Norway, showing more interest in nature, and his works became more colorful with less pessimism. During the Nazi rule, his works were labeled as “degenerate art” and removed from German art galleries. On January 23, 1944, Munch passed away in Ekely, near Oslo. He donated 1,000 oil paintings, 15,400 prints, 4,500 sketches and watercolors, and 6 sculptures to Oslo, and later the Munch Museum was built in his memory.

Introduction to His Famous Artworks

• The Scream: Painted in 1893, it is 91×73.5 centimeters and is now in the National Gallery of Norway. Munch was inspired to create this piece after an evening walk when he saw the blood-red clouds and felt as if he heard nature screaming. In the painting, the figure with a skull-like face at the front, who is thought to be Munch himself, is covering his ears in agony as the swirling colors around him seem to carry the scream of nature. The bold colors and distorted forms powerfully express a sense of anxiety and fear, making it one of the most iconic works in the history of art.
• The Sick Child: Painted between 1885 and 1886, with a size of 120×118.5 centimeters, and also in the National Gallery of Norway. This is a series of 6 paintings depicting Munch’s sister Sophie on her deathbed due to tuberculosis, with their mother weeping beside her. The paintings are a poignant portrayal of the pain and helplessness in the face of death, reflecting Munch’s deep grief over his sister’s passing.
• Anxiety: Created in 1894, sized 94×74 centimeters, and housed in the Munch Museum in Oslo. In this work, several dark figures are seen walking on a road by the sea under a gloomy sky. Their hunched postures and the oppressive atmosphere convey a strong sense of anxiety and unease, presenting the inner turmoil of people in the face of an uncertain world.
• Madonna: Part of Munch’s series of works. In the painting, a woman’s eyes are closed and her mouth is slightly open in a moment of sexual trance. Munch intended to reveal that a woman, through the act of love, becomes a link between new life and the approach of death, exploring the themes of life, love, and death.
• Puberty: Painted in 1886, it shows a naked girl sitting on a bed, her long hair hanging down and her hands on her knees. She is trembling, having just experienced her first menstruation. The ominous shadow on the wall implies her anxiety about the future, offering a profound insight into the psychological state of an adolescent girl.
• The Dance of Life: It is a culmination of Munch’s representative series of oil paintings The Frieze of Life. Set at a midsummer festival by the sea, it features three women in the foreground: a virgin in white excited for love, a prostitute in red indulging in love, and a woman in black haggard from love. Behind them, men and women are dancing wildly, presenting the different states and fates of women in love and highlighting the complex themes of life and love.

2. What is the most famous art work of Edvard Munch?

Edvard Munch’s most famous art work is undoubtedly “The Scream”. Here’s why it holds such a prominent position:

Symbol of Cultural Significance: Over the years, “The Scream” has become a symbol not just in the art world but also in popular culture. It has been referenced, parodied, and reproduced in numerous forms, from movies and television shows to advertisements and literature, further cementing its status as one of the most famous artworks of all time.

Iconic Image: “The Scream” presents a haunting and unforgettable image. A figure with a skull-like face stands on a bridge, its mouth wide open in a silent scream, surrounded by a swirling, blood-red sky and a distorted landscape. The vivid colors and exaggerated forms make it instantly recognizable and deeply ingrained in the public consciousness.

Expression of Modern Anxiety: The painting is a powerful expression of the anxiety and alienation of the modern human condition. It captures the sense of existential dread and unease that many people feel in the face of a rapidly changing and often overwhelming world, making it relevant and relatable across different generations and cultures.

Influence on Art History: “The Scream” is a defining work of the expressionist movement. It inspired countless artists who followed, influencing the development of modern art and paving the way for other expressionist and avant-garde artists to explore the depths of human emotion and the subconscious in their work.

3. How did “The Scream” impact the art world and popular culture?

“The Scream” by Edvard Munch has had a profound and far-reaching impact on both the art world and popular culture, revolutionizing artistic expression and becoming an iconic symbol recognized globally. The details are as follows:

Impact on the Art World

• Pioneering Expressionism: “The Scream” is a cornerstone work of the Expressionist movement. It broke away from traditional representational art and emphasized the expression of inner emotions and subjective experiences. By using distorted forms, bold colors, and exaggerated lines, Munch conveyed the raw feeling of anxiety and existential dread, inspiring a generation of Expressionist artists such as Ernst Ludwig Kirchner and Wassily Kandinsky. These artists were influenced by Munch’s bold use of color and form to express their own inner turmoil and the social and psychological tensions of the time.
• Innovative Use of Color and Form: The painting’s unique color palette, especially the blood-red sky, and the distorted shapes of the landscape and the screaming figure were highly innovative. Munch used color and form not just to depict the physical world but to create a psychological and emotional atmosphere. This approach encouraged other artists to experiment with non-naturalistic colors and forms to convey deeper meanings and emotions, influencing the development of abstract and semi-abstract art.
• Shift in Artistic Focus: “The Scream” shifted the focus of art from the external world to the internal psyche of the individual. It showed that art could be a powerful means of exploring and expressing the darker aspects of the human mind, such as fear, anxiety, and alienation. This led to a new direction in art, with artists increasingly delving into the subconscious and the human condition, which was further developed in movements like Surrealism.
• Inspiration for Artistic Themes: The themes of anxiety, existentialism, and the human response to a chaotic world presented in “The Scream” became central themes in modern art. Artists in subsequent decades continued to explore these themes, reflecting on the impact of war, industrialization, and social change on the human psyche.

Impact on Popular Culture

• Ubiquitous Cultural Symbol: “The Scream” has become one of the most recognizable images in popular culture. Its iconic figure and vivid colors have been used in countless advertisements, from promoting movies and TV shows with a spooky or psychological theme to being featured in campaigns for products that want to convey a sense of shock or emotional intensity. It has also appeared on a wide range of merchandise, including T-shirts, mugs, and posters, making it a common visual element in everyday life.
• Reference in Media and Entertainment: The image has been widely referenced and parodied in movies, TV shows, and literature. In films, it has been used to set a mood of horror or psychological distress, and in comedies, it has been parodied for humorous effect. For example, in the TV series “The Simpsons”, there have been several episodes where the characters recreate or reference “The Scream” in a comical way. In literature, the image and its themes have inspired authors to explore similar ideas of fear and alienation in their stories.
• Inspiration for Music and Dance: The emotional intensity of “The Scream” has inspired musicians and dancers. Some composers have created music that aims to capture the same sense of anxiety and turmoil, while choreographers have developed dance pieces that express the distorted and anguished emotions depicted in the painting.
• Internet Meme and Viral Culture: In the age of the internet, “The Scream” has become a popular meme. People have modified and shared versions of the image with different captions and in various contexts, spreading its influence even further and making it a part of online culture. It has been used to express a wide range of emotions and reactions, from humorous to deeply relatable feelings of stress and anxiety in modern life.

4. Can you recommend some other famous works by Edvard Munch besides “The Scream”?

Here are some other famous works by Edvard Munch besides “The Scream”:

“The Sick Child”：This painting is an important work in Munch’s art. It reflects on his elder sister Sophie’s tuberculosis disease. Munch produced a total of six different paintings with the same motif between 1885/1886 and 1927. Each version shows the same two figures painted in different styles, and the averted gazes of the figures tell of farewell and mourning.

“The Dance of Life”：Painted between 1899 and 1900, it is part of Munch’s “Frieze of Life” series. This work explores themes of love, desire, and the cycle of life, depicting a group of people dancing on the beach. The painting uses bold colors and dynamic lines to convey the energy and passion of life, as well as the underlying tensions and emotions.

“Puberty”：Created in 1893, this painting depicts a young girl on the verge of womanhood, sitting on the edge of a bed with a look of innocence and vulnerability. The work explores themes of sexuality, innocence, and the transition from childhood to adulthood, with the girl’s body language and the dark background creating a sense of unease and anticipation.

“Vampire” (1893 – 94)：This painting is also part of the “Frieze of Life” series. It depicts a woman with red lips and a menacing expression, leaning over a man as if sucking his life force. The work explores themes of love, death, and the power dynamics between men and women, with the image of the vampire representing the dangerous and seductive aspects of female sexuality.

“Sun”：Painted in 1912, it was created for the centennial celebration of the University of Oslo. The painting depicts the sun rising over the rocky islands near Kragerø in southern Norway, with a couple facing the sun. It reflects Munch’s interest in nature and “vitalism”, and the bright colors and dynamic composition convey the energy and power of the sun.

“Death in the Sickroom”：From 1893, this painting is based on Munch’s memories of his sister Sophie’s death. It shows a group of people gathered around a bed where a dying woman lies, creating a somber and mournful atmosphere. The work explores themes of death, grief, and the human experience of loss.